Laura Cristin




‘Xmas Carol 2016 by L’aura ©ristin Sheren

Category : performance, mailart, around the world Dec 24th, 2016

Main image on the left: Christmas Tree 2016 TOPs: pop-up card “Pirouettes” – Santa Claus pendant for “La Festa dei Cugini” 1992 – 'Xmas tree top –  Supermoon in Gabria (Gorizia) 13NOV2016 –  starfish in “Re-vault” bust 2014-'16 –  photo of my grandma from her diary “Memorie di Fumis Angela 1914-1916” –  detail of “oisEAU” 1998 – selfie at City Lit in London 2016. heARTs: TRIPtych for the Mothers of Capua 2016 – crib in Naples (San Giovanni Armeno) similar nativity scene (figurines) was sent to Dario1 –  “Wunderhouse” oil on glass 1987 – “Pirouettes NEW” ball with Brunori Sas figurines – the garden of peace at Kingsley Hall in London. BASE Foliage: detail of “Re-vault” in Gaeta (Latina) –  Pulcinella tambourine in Naples –  Rainbow Dash at aardverx in London –  “OB-LA-DI', OB-LA-DA” disc revisited 1968-2016 –  at London Biennale opening in Rome with Raffaella Losapio and David Medalla – Kingsley Hall window. TRUNKs: performance “hell-HEAL-hill” in Rome –  Siren/dolphin fountain at Napoli Centrale –  Reynolds and I in Rome after having painted on her heart – Olivetti writing 'Xmas Carols 2016 – Afrodite “Pudica” at Archeological Museum in Naples –  door-window at Kingsley Hall – baby hazel tree in “the field” of Bagnaria Arsa (Udine) similar photo was selected for the calender of the municipality (April).

Main image on the left: Christmas Tree 2016
TOPs: pop-up card “Pirouettes” – Santa Claus pendant for “La Festa dei Cugini” 1992 – ‘Xmas tree top – Supermoon in Gabria (Gorizia) 13NOV2016 – starfish in “Re-vault” bust 2014-’16 – photo of my grandma from her diary “Memorie di Fumis Angela 1914-1916” – detail of “oisEAU” 1998 – selfie at City Lit in London 2016.
heARTs: TRIPtych for the Mothers of Capua 2016 – crib in Naples (San Giovanni Armeno) similar nativity scene (figurines) was sent to Dario1 – “Wunderhouse” oil on glass 1987 – “Pirouettes NEW” ball with Brunori Sas figurines – the garden of peace at Kingsley Hall in London.
BASE Foliage: detail of “Re-vault” in Gaeta (Latina) – Pulcinella tambourine in Naples – Rainbow Dash at aardverx in London – “OB-LA-DI’, OB-LA-DA” disc revisited 1968-2016 – at London Biennale opening in Rome with Raffaella Losapio and David Medalla – Kingsley Hall window.
TRUNKs: performance “hell-HEAL-hill” in Rome – Siren/dolphin fountain at Napoli Centrale – Reynolds and I in Rome after having painted on her heart – Olivetti writing ‘Xmas Carols 2016 – Afrodite “Pudica” at Archeological Museum in Naples – door-window at Kingsley Hall – baby hazel tree in “the field” of Bagnaria Arsa (Udine) similar photo was selected for the calender of the municipality (April).


This year, approaching Christmas, I gave myself many stories that poured out from the memories of people, things and situations met in the months gone by. Soon the recollections linked with the past and developed in dreams for the future. A not-so-tangible ‘Xmas tree took shape in my heART. Next step was to try to make all this visible for the most, before letting it go. The story began with buying an Advent Calendar that resembled the “Wunderhouse” painted in 1987. Saint Nicholas helped me to get four tickets at the front row for a concert in Udine on 2017/02/24. At Saint Lucy Day, I found a pop-up card with the musical instruments in a stationery shop. Revisiting it with figurines so to create new balls, was my favourite past time. Then I sent it out so somebody else could play with it and invent brand new stories. Choosing the decorations for the annual Christmas tree was an apotheosis of memories, not to mention the supermoon of December that crowned it all! This © hristmas Carol is not for sale, but perhaps everybody can create his/her own moment of happyness, being inspired by the selection of trunks, basic foliage, hearts or tops of my tree.

Re-act&Re-vault: a story for 25 November (International Day against the Violence towards Women)

Category : exhibitions, performance Nov 25th, 2016

Detail of “oisEAU”, acrylic on canvas and photo of the last ones to leave “La Festa dei Buchi” at Laura Cristin's home-atelier in Bagnaria Arsa, Udine on 25 October 1998.

Detail of “oisEAU”, acrylic on canvas and photo of the last ones to leave “La Festa dei Buchi” at Laura Cristin’s home-atelier in Bagnaria Arsa, Udine on 25 October 1998.


On 25 October 1998, at my home/atelier of Bagnaria Arsa, Udine, “La Festa dei Buchi” (The Holes’ Party) occurred. The evening Party was preceded by the Open House “Lo Spazio Violato” (The Violated Space). It all happened exactly one year before the declaration of 25 November as the Day against the Violence towards Women (ONU, 1999). As for my little event – so significant for me – it took place few months after a violation of my art&life. Later I reckoned it as a landmark for my r-evolution. Antefact: in June 1998, while I was on holiday with my family, vandals had stepped into the workroom for a sort-of-not-so-metaphorical-rape of the latest canvases: mostly selfportraits, nudes. Holes were made in correspondance with the erotic point of the body. The precision the holes were made with, declared a fine perversity. Add the fact that I had left the canvases, leaning on the wall, not on display: The (un)knowns had searched for them, taken them out and put them back after the integrations. Written (sexual) insults here and there, clearly directed to me, crowned it all. Since no money or other valuables had been stolen or damaged, it was clear that the target was me. At the discovery of such a mess, returning from Spain, I was shocked, I felt devastated, unwanted by the physical space of the house. I couldn’t even walk in the front courtyard where the vandals had come from. During the following Summer I found the energy to re-act and I re-made – in different sizes – the raped paintings. In the bigger selfportrait, my face came out very sad but some other canvases like “oisEAU” resulted even stronger than the originals.
Then I thought to arrange an event, despite the disapproval and the no helpfullness of some intimate relatives. – What a mess for a childish action! – was the ritornello. From the beginning it seemed that the silence would have been the only accepted no-action. I should have been content enough having made the report against unknowns, which I did soon after the intrusion. Later it was soon dismissed and no results, apart from the note of lawyer’s fees. Unbelievable, as a victim, I was supposed to feel ashamed and guilty! Instead, I had the insolence, the days before “The Holes’ Party”, to personally mail the invitations all around the neighbourhood. I guessed that the author/s of the violence lived not far away since the damaged paintings and busts – part of the latest research on the body, starting from my own – were never exhibited publicly before. I wanted to share the facts with the local community.
The event was well attended. Among others, a group of poets “La Fabbrica dei Sensi” gave an emotional contribution. A journalist wrote an article for the local newspaper and Rita Mascialino an essay. I felt better, supported one way or another. In the following years, I managed to continue on the track of searching into subtle violences, re-volting that energy in positive ways/works. The subsequent art – made out with paintings, busts, Tarots research and performances – perhaps can explain all the journey so far, better than words. At the times it was/is difficult. This type of wounds can produce further damages and one has to be alert, to see beyond the hypocrisy, not to be deceived by whatever a perverse goodness can hide. The balances with the persons really loving you took a hit and everyone suffers, for long time.
I did not repaired the holes – optically irrelevant -. They are still kept in the paintings, leaning on the wall, in the garage, silent but concrete witnesses of such baseness and cowardice. Though they are submerged by new canvases. From “La Festa dei Buchi” I had been rather busy with facing and mending the lacerations of the soul. I had found useful to attend places where humanity is practiced. Along the years, the spaces of the house-atelier were heal-treated by many passages and loving presences. New musics had been played and other stories had been written or painted. Now I walk head-on in the courtyard. A few years ago the culprit has candidly admitted the prank. No excuses.
It is a constant alert not to allow anyone to take advantage and to feel stronger of our weaknesses!Sincere affections will remain strengthened. It is an endless task, but rewarding.

Freedom and Dignity need constant dedication and update.

Re-vault sTRIP instant book

Category : performance, mailart, around the world Sep 19th, 2016

"Re-vault sTRIP", 3 pages leporello cm 10,5 x 29,6, with antefacts and developments of Re-vault, 22 copies in English and 22 in Italian, story on one side and illustrations on reverse, 2016

“Re-vault sTRIP”, 3 pages leporello cm 10,5 x 29,6, with antefacts and developments of Re-vault, 22 copies in English and 22 in Italian, story on one side and illustrations on reverse, 2016


On San Gennaro Day, I had 22 copies – in English and just as many in Italian – of “Re-vault sTRIP” printed. The instant book consists of a 3 pages leporello, written on one side and fully illustrated on reverse. It’s about the prior history that led to “Re-vault” textile bust, performance and the developments after August 30th. Among these, a selfportrait in Naples, together with a ‘real’ Sheren.
The sTRIPs will soon be sent to mailartists worldwide.

Re-vault for Goliarda Sapienza

Category : exhibitions, performance, around the world Aug 10th, 2016

 Poster of “A Corpo Libero” tribute for Goliarda Sapienza in Gaeta, August 30th, 2016.  Card with details of the jeans textile bust “Re-vault”, h 75 cm, mixed tecniques, 2014-'16. Clockwise: Siren's filling -  front view with the moon and the constellation of Scorpio  (Antares), uterus and anemones -  dolphen, moon and starfish in the back.

Poster of “A Corpo Libero” tribute for Goliarda Sapienza in Gaeta, August 30th, 2016.
Card with details of the jeans textile bust “Re-vault”, h 75 cm, mixed tecniques, 2014-’16. Clockwise: Siren’s filling – front view with the moon and the constellation of Scorpio (Antares), uterus and anemones – dolphen, moon and starfish in the back.


On August 30th 2016, in Gaeta (Latina, Italy), from 19:30, at the Terrazza Borbonica in via Bausan 1 (better known as Punta dello Stendardo) “A Corpo Libero”, a tribute for Goliarda Sapienza will take place.
The performance “Re-vault” closes the tribute at 21:00.

Immersed in a nocturnal vault approaching the new moon, a performance for Goliarda starts off. It happens from Gaeta sea, inhabited by Sirens, and so beloved by her.
« What I have thought for you and I will discover on the shore is not a lifeless bust of Sea and Sky. This textile bust/pillow is meant to attract the traces of your memories, fleeting for the most but well evident to the heart of many. It perfumes of liberty and joy and I have named it “Re-vault”, aka Arcana XVI. Once filled with our affinities, with veils/waves along with consonant tunes, it will become a soft pillow to cuddle the revived memories of you. A sort of calisthenics for the soul will take place on August 30th, 2016, exactly twenty years after your departure from this physical world. Forever in our heARTs ».
Laura Cristin Sheren
musics by Dario Della Rossa

Link of “A Corpo Libero”: http://pinacotecagaeta.it/a-corpo-libero-tributo-a-goliarda-sapienza-1926-1996-a-cura-di-stefania-scattina/

July news: Magritte, Re-vault, Kingsley Hall

Category : performance, mailart, around the world Jul 9th, 2016

"Che Guevara" booklet is a story from the handmade poster for my teenager bedroom in 1967 through a nightime move in 1972 ... to  the constant research of freedom up to day. The booklet, handmade and printed in 22 copies is enriched with a rubberstamp of CG, 10 July 2016

“Che Guevara” booklet is a story from the handmade poster for my teenager bedroom in 1967 through a nightime move in 1972 … to the constant research of freedom up to day. The booklet, handmade and printed in 22 copies is enriched with a rubberstamp of CG, 10 July 2016

This July 2016 my house has ceased, at dusk, to look like the one painted by Magritte in “L’Empire des Lumières” in 1954 (my birth year). The street-lamps have been substituted: the big ball that used to light the façade from the middle has been replaced with led lamps on higher stems.
In the meantime I started to work on Arcan #16 that I have provisionaly named “Re-vault” . It’s a soft textile bust of Sky and Sea that I am preparing for a performance for the twenty years from the death of Goliarda Sapienza, the author of “The Art of Joy”. She will be remembered in Gaeta on August 30th. “Re-vaults” features the night heaven with Antares of Scorpio and the theme of fertility underneath. It continues and widens the work on the Tarots.
A series of 22 little instant books about “Che Guevara” with original rubberstamps in it, is also ready. These follows the booklet “LC: Laura Cristin for Letizia Comba” that was given out at London Biennale opening in Rome and through the mailart.
Around the 22 of July, in coincidence with the 80th B.day of my friend Dawn Redwood, I will renew my pilgrimage to London. This time, the Brex-it broke my memory of the first imprintings of freedom received there, in the ’70ies. Though, I will get acquainted with the community center of Kingsley Hall where Letizia Comba met Ronald Laing. There, in the place run by the Leisters since the early ‘900, the heaven has seen many peaceful artenative revolts even before the psychiatric one, like the suffragettes’ or the march of hunger. Mahatma Gandhi stayed there for 12 weeks.

link to the video of Dawn Redwood’s B.day at https://youtu.be/yJKAblzMU_0

Mailart from Palmanova-Rome (platinum record included)

Category : performance, mailart, around the world Jun 1st, 2016

The latest participation in London Biennale opening in Rome with disc-performance-video has continued through the snail mail. On 18th May, 33 postcards Palmanova-Rome were sent from Sempeter in Slovenia, worldwide. Each one had a card of Rome (ATC 41 series)in the rear, supposed to be lifted by the addressee so to disclose a personal message written in calligraphy, with different colours of ink.
Link of the video “For Letizia Comba” that was presented in Rome at studio RO.MI:
https://youtu.be/84A7_n46Uuk
Video of the giving a platinum record to Raffaella Losapio, at London Biennale in Rome at this link: https://youtu.be/ckBuH-kLAHk

“Ogni volta è la prima volta” by Marsilio & London Biennale

Category : exhibitions, performance, around the world May 9th, 2016

On May 13th, from 15:30 at Salone del Libro di Torino, Padiglione 1, Spazio Incontri to be precise, the book “Ogni volta è la prima volta” by Marsilio editore will be presented. The book contains the 21 finalist stories of the AVIS contest held at Pordenonelegge 2015.
“La prima volta a Roma” of mine is among them.
I had practiced and re-invented that story alive at the opening of London Biennale in Rome (May 1-2-3) at Studio.ra and Studio RO.MI with the main performance “hell-HEAL-hill” that followed a inter-action with Reynolds’ “Chemo Dragon Emergency Room”: I had drawn a Siren on her breast and chest. I had donated to Raffaella Losapio a platinum disc with the apple of OB-LA-DI, OB-LA-DA. The international meeting along the idea of David Medalla and his coordinator Adam Nankervis was wonderful, for the freedom that allows to all sort of personal ways of art/creativity.
My photo album at https://www.facebook.com/media/set/?set=a.1159246567427708&type=1&l=bf605a3f81
Synthesis of the performance in the video at https://youtu.be/NIkHVWJXI_o?list=LLoekfKiJTgG127yOnRU9B7g
Video with my participation in Reynolds’ performance “Chemo Dragon Emergency Room” in https://youtu.be/s_bON4LiRwA

at London Biennale opening in Rome, May 1st, 2nd, 3rd

Category : exhibitions, performance, mailart, around the world Apr 21st, 2016

Artist Trading Cards 41 for London Biennale opening in Rome: disc, oil on vinyl, 1968-2016, poster for performance "hell-HEAL-hill", ph. L. Maria Mino and photo of Rome by Laura Cristin

Artist Trading Cards 41 for London Biennale opening in Rome: disc, oil on vinyl, 1968-2016, poster for performance “hell-HEAL-hill”, ph. L. Maria Mino and photo of Rome by Laura Cristin


In the first days of May I will take part in London Biennale opening in Rome, with a disc, a performance and a video.
On May 1st, from 17:00, at Studio.ra in via Platino 1 F, I will donate to Raffaella Losapio 1 of the 4 revisitated copies of the original vinyl recorded in Rome in ’68, for the 10th anniversary of her gallery; then I will participate in Reynolds’ performance “Emergency Room” by drawing a Chemo Dragon Chimera on her breast.
On May 2nd, from 17:00 at Valle della Caffarella, the main performance “hell-HEAL-hill” will take place: I will go back to my first time in Rome, in January ’68, so to make a synchronisation/syncopation in theme with this year’s LB of David Medalla.
On May 3rd, from 18:00 at Studio RO.MI in via Vetulonia, 55, the video “for Letizia Comba (1932-2000)” who was on the train with me in ’68, will be shown among the selection.
A series of ATCards with full detail of each day has been made and will be given out to LB participants and to the audience.
Full program in http://www.studiora.eu/2016/05/01/program-of-london-biennale-2016-in-rome-press-release/

Mary Christmas project

Category : performance, mailart, around the world Dec 19th, 2015

Today I sent to (mailart) friends worldwide 1 parcel and 26 letters of various sizes. I sent them all from a village in Slovenia (just across Basaglia’s Park in Gorizia) where postage rates are cheaper than in Italy. The ‘Xmas affair has kept me busy in the last weeks. Just by doing – a little, but different thought for each one of the adressees – a more complex project took shape. Will be fully documented in the “Works” section shortly.

The first vinyl and the first travel to Rome

Category : exhibitions, performance, around the world Nov 9th, 2015

My contributions “the first travel to Rome” (text) and “the first vinyl” (photo) take part in “La prima volta” of AVIS. It is a contest to make the people aware of the importance of the deed of gift of blood/life. My text and photo points up and investigate the not-so-ephemeral effects of love donations.
http://laprimavolta.avis.it/prime-volte/people/380-laura-cristin.html