
It’s a journey from my Re-naissance as Vitruvian Woman at Europe Square in GO 2025 to Palazzo
Albrizzi-Capello in Venice for “Il Cantico delle Creature”(first literary text in Italian), where two
(pictorial) Canticles of mine were selected by prof. Nevia Capello for ACIT celebrating the Anno
Giubilare dedicated to San Francesco. The “Canticle of Dawn in the Sky of Damietta 1219” presents the
constellations above Francesco and the Sultan in Egypt at the time they met, when the “Canticle in G of
SOuLs Ascending Empyrean” based on the painting of a similar name by Bosch at Palazzo Ducale turns
to actuality a Trio Performance of mine with Dario Della Rossa and Dorothea Fayne on the lagoonfront of
piazza San Marco in Venice.

There’s the common thread of photography between the painting I was invited to show at the Officine Forte Marghera collective and the review of my art journey made by Giorgio Bonomi in the IV and final Volume about ‘L’autoscatto nella fotografia contemporanea’ published by Rubbettino editore. ‘SHE’swinging’ comes from a shot at the Camden flea market, relived and re-proposed as a painting that gives life to the mannequin that we are when we are not practicing Love and Humanity. It will be visible – among the many others on the theme disArMO with which the in-residence artists have generously offered to meet – in Forte Marghera, Venezia, vernissage on 18 April 2025 at 6 pm. The exhibition will last until May 1st.

It all started from a twin label of extra virgin OIL from Gemini (Apulia) 2004. Memento of Athena and Poseidon dispute over Attica. Athena won, because the olive tree would grow out of the wound inflicted into the earth. I really like Poseidon, which I once saw on a British coin. Our Neptune travels in the salty, no useful for agriculture but otherwise sacred, waters of the sea. My Gemini wave on them went to ex Magazzini del Cotone in Genua. Among the sparkling memories, three DIAMONDs of art/life/psychiatry – A. Kowal, Letizia Comba and F. Basaglia – deserved to be painted in a little tile headed to Poland. My friends being called to SAN REMO (Festival), from San Fili (Cosenza) stand out in memories waves. Then, on February 8th in Gorizia, I re-discovered the joyful right to be a nano-thousandth, yet significant – part in GO2025. In tune, borderless.

An installation of thoughts, words and images, goes straight in my heART. It started from a recent mailart card where I depicted a Red Bench to be built and to be constantly mantained in order to SURFvive in the hurricanes (for an exhibition in Bologna against the violence on women) and a pictorial experienze in Laives at the Kunst Kolonie of Artimmersion13.
Then, holding up the figurines of the Nativity Crib from my infancy and with the gaunt bed for the Holy Child in my hands, I realized the similarity of the cot with the Red Bench above. ‘Things’ from the past emerged: a glass vase, a celebrative plate for “Natale”, a clay garland and so on.
Emblems of a still alive art-life.

On October 2nd, 2021, exactly thirty two years after the signing of the manifesto for the First International Day of Poetry, a group of (mail)artists gathered in the same place of Venezia Mestre, at Itinerary 80, around Giancarlo Da Lio.
Laura Cristin Sheren brought the Tarotensign VPopeS&StarXVII just completed and hanged it facing the Canadian maple, better known as the Tree of Poetry. The two Arcana depicted on the double face blue textile came three dimentional in two subsequent art actions. The first performance – for the PopeS – took place at the Garage-Ambasciata of via Cavallotti: an intimate memory intended for those present, devoted to the missed friend and mentor Dawn Redwood (London, 1936-2020), immersed in Jerusalem by W. Blake, set to the music of the Time. Soon after came the Star‘s turn in the nearby Parco del Piraghetto where the performance was shared with the local community and the Nature and the Autumn by Vivaldi. Sheren wore a Venetian tricorn and ended up holding the nine pointed Star of the fortress of Palmanova that Dawn had loved so much.
Link video at https://youtu.be/meA0B-rW1KM

“Mare Nostrum che sei nei cieli” it is a pray from Laura Cristin for the many who tried to cross the Mediterranean but did not survive, Ponza, 3 September 2019
On Saturday March 9th, 2019, “SHirEn sitting” will take part in the collective exhibition “My Planet” cured by NonSoloBlu in Monfalcone (Gorizia). Opening is at 18:30 in Palazzetto Veneto, via S. Ambrogio, second floor. The exhibition that aims to raise awareness on the theme of sea pollution will last until March 23rd.
“SHirEn sitting participated in ”Carnevale in tela” by Endas c/o the Municipality of Monfalcone from February 21st till March 5th.

Clockwise: a long/involving wave for Field Study Gathering at Tate Britain 5JAN2019; installation “memORiA di Sheren” in Pinacoteca of Gaeta; another picture from A MARE in London; card for London Biennale 2019; images from “Myself box” for microbo.net of Milan; further picture of A MARE involving Nat Fonnesu
