As in a clock, starting from 8 a.m., Laura Cristin SHEren’s carousel of art actions around the Venice Lagoon from 1 May to 4 September 2026 had to be documented.
From the 1st May 2026, at the first Day of Independent and Free Art of Ambasciata di Venezia, reading Goethe in FORTE MARGHERA, summer 2026 got off to a bEAUtiful start for SHEren. The journey continued with Una Storia Diversa (A Different Story) on the beach at JESOLO LIDO on July 12 and SHEren in Neptune’s Turmoils at MARANO LAGUNARE on August 1, to end on September 4 at LIO PICCOLO with the installation of a plaque on the base of the bell tower built by the Armenian Fathers in 1911. Special thanks to Giancarlo Da Lio for his support.
Clockwise starting from the Diamond: “Gemstones of art/life: A. Kowal, Letizia Comba, F. Basaglia”, at “Codes of Imagination”, Outsider Art, Psychiatria i Sztuka, Kraków, 22 February-16 March; “GeminiOILextrACT”, at Olio Officina Festival for Artedamangiare, Genua, 27, 28 Feb – 1 March; “new collection on a selfportrait 1990”; Brunori Sas in San Remo, 14 February; selfie at the opening: Laura Cristin at the Neptune fountain, Gorizia, with GO2025 on heart.
It all started from a twin label of extra virgin OIL from Gemini (Apulia) 2004. Memento of Athena and Poseidon dispute over Attica. Athena won, because the olive tree would grow out of the wound inflicted into the earth. I really like Poseidon, which I once saw on a British coin. Our Neptune travels in the salty, no useful for agriculture but otherwise sacred, waters of the sea. My Gemini wave on them went to ex Magazzini del Cotone in Genua. Among the sparkling memories, three DIAMONDs of art/life/psychiatry – A. Kowal, Letizia Comba and F. Basaglia – deserved to be painted in a little tile headed to Poland. My friends being called to SAN REMO (Festival), from San Fili (Cosenza) stand out in memories waves. Then, on February 8th in Gorizia, I re-discovered the joyful right to be a nano-thousandth, yet significant – part in GO2025. In tune, borderless.
Laura Cristin Sheren in a photo by Giancarlo Da Lio, from the performance at Parco del Piraghetto in Venezia Mestre on October 2nd, 2021. At the side: two faces of Tarotensign “VPopeS&StarXVII”, cm 170 x 52 painted on blue textile, 2021.
On October 2nd, 2021,
exactly thirty two years after the signing of the manifesto for the
First International Day of Poetry, a group of (mail)artists gathered
in the same place of Venezia Mestre, at Itinerary 80, around
Giancarlo Da Lio.
Laura Cristin Sheren brought the Tarotensign VPopeS&StarXVII just completed and hanged it facing the Canadian maple, better known as the Tree of Poetry. The two Arcana depicted on the double face blue textile came three dimentional in two subsequent art actions. The first performance – for the PopeS – took place at the Garage-Ambasciata of via Cavallotti: an intimate memory intended for those present, devoted to the missed friend and mentor Dawn Redwood (London, 1936-2020), immersed in Jerusalem by W. Blake, set to the music of the Time. Soon after came the Star‘s turn in the nearby Parco del Piraghetto where the performance was shared with the local community and the Nature and the Autumn by Vivaldi. Sheren wore a Venetian tricorn and ended up holding the nine pointed Star of the fortress of Palmanova that Dawn had loved so much.
Central: B.day cake 13 June 2021. Clockwise from Nemo fish: card for “Artist’s Studio (for Museum of Instant Images of Chaam, The Netherlands) showing “Score of MySELF as SHEren in the Threads and Signs of Time” on the table (for “per Filo e per Segno” at la Fabbrica della Ruota of Pray Biellese), new foldable tent on my gARTen along the top of the card, detail of “Let’s play a proper G chord for MY(an)MAR and DAW SUU” (for “Padiglione Birmania, Guardamiglio-Lodi), detail of my feet painted on the Sherensign XVII (work in progress), mail art “Sheren’s tears” revisiting the MV X-press PEARL disaster.
Just around my B.day art-life started
to burst again and few but significant exhibition opportunities come
up such as
-“L’Amazzonia deve vivere” (curator Ruggero Maggi) featuring a kiwi leaf from my former gARTen, at Museo Diotti of Casalmaggiore (CR) from 4 June to 1 August and from 21 August to 26 September
-“per Filo e per Segno”
(curator Marisa Cortese), at the Fiber art exhibition in Pray
Biellese, from 6 June to 10 October
-“Padiglione Birmania”
(curator R. Maggi) at Palazzo Zanardi Landi of Guardamiglio-Lodi from
26 June to 31 July and from 3 to 19 September.
Last but not least, some mail art about
the MV X-press PEARL revisiting the nurdles as Sheren’s tears and so
on.
The book-diary “inFINITO aMARE” was written from June 2019 till November 2020, to collect and transfigurate episodes of art-life as in “real” fairy tales. Three Artist Books consisting in 170 pages each were handmade to start the journay. Original copy at Archivio Diaristico Nazionale https://catalogo.archiviodiari.it/diari/8690
My
best wishes for a Merry ‘Xmas and Happy New Year 2021! I hope to soon
be able to embrace life again at one hundred percent, in the meantime
I did it by completing the book “inFINITO aMARE” that I
wrote over the latest eighteen months, from 13 June 2019 to 11
November 2020. Almost six hundred thousand characters, collected in
thirty-three waves of art-life, to compose a trilogy (1-11, 12-22,
23-33). So far, three artist copies have been made which, starting
from a December day when it snowed around here, have now started
their journey. Still ongoing.
Index
of the chapters of “inFINITO aMARE” (the book-diary is
written in Italian, except # 27 We’ll Go No More a Roving that is in
English): 01 Compleanni B.days, 02 Ricordo grato di Letizia Comba, 03
La nascita di Sheren, 04 Che Guevara, 05 Coney Island, 06 City Lit,
07 Allunaggi, 08 Bicicletta, 09 Serendipità a Berlino e Sofia, 10 La
Grande Guerra, 11 Sulle tracce di Mozart; 12 Mondiali di calcio 1982
e 2006, 13 Arcobaleni e Messico, 14 Principesse e Castelli, 15 Le
Carte, 16 Le Conchiglie, 17 dolpHEn in Irlanda, La plastica e i
gonfiabili, 19 Da ShirEn a SHEren (a Madrid), 20 Instant book e onde
noir, 21 L’isola che non c’è, 22 La Fotografia; 23 Dio c’è?, 24
Garibaldi, 25 Trebnje e Beograd, 26 Calzini scompagnati, 27 We’ll Go
No More a Roving, 28 Farfalle, 29 Trip-tych, 30
Parigi-Venezia-Firenze, 31 Nei luoghi di Beethoven, 32 Cronologia dei
Tarocchi, 33 Dalle Termopili a Gandhi.
“The Old Man and The Sea”, written in 1951, published in 1952, Hemingway received the Nobel Prize for literature in 1954. When Giancarlo Da Lio invited me to join his birthday/aka Day of Art on January 17, 2020, a few days before the one of my husband Enzo (19 January 1952) I felt involved in the Time. Tiziana Baracchi too, his wife, who passed away in 2018, was born in 1952. So I asked Maurizio Follin a soundtrack for a performance that would remind Giancarlo’s strength and his inner being of “sea man” – winged lion of the Embassy of Venice – to discover that Maurizio and his wife Gabriella were also born in those years. In four and four, they provided me with the Rumble n ° 20 01 12 (10:38) which I immediately found perfect for an impromptu action at La Fossetta di Musile del Piave. It is a historic tavern where Hemingway used to spend his time while in Venice area and which – since 11 May 2018 – hosts the Garden of Poetry with the various contributions for the Red Lion of the Embassy of Venice, cured by Giancarlo and Tiziana. As for me, Laura Cristin, Sheren in art-life or life-art that does the same, I was born in 1954, the year of the Nobel Prize and the story has renewed and brought back so many thoughts and brought forth the desire to revive and involve in the participatory performance “The Man and the Sea” the strength of all those who, like Santiago, travel the stages of their heroic and daily existence in “la mar”, confronting each other respectfully with the marlins and sharks that meet along the way, being able to count on friendship, like the old fisherman with the young Manolo.
P.S. The fishbone remaining from the big marlin at the end of the performance became a sword that entitled me – among others like Teresa Cazzaro and Virgilia Milici – to be Ambassador of Art.
“Mare Nostrum che sei nei cieli” it is a pray from Laura Cristin for the many who tried to cross the Mediterranean but did not survive, Ponza, 3 September 2019
There’s a map of Mediterranean, in “Sherena Velella” book made after lo Stracquo 2014, where I drew crosses for the many who found the eternal rest there. This year, having completed a similar journay to Ponza – resulting in the bust of sea and sky of “Sherena Lunata” – I ended with “Flaschenpost from Venedig to Ponza” (video at https://youtu.be/0NLnO_iXPCw ) so I could pray: “Mare Nostrum che sei nei cieli…”
On August 3rd 2019, the mail art congress snap+share hosted by The Sticker Dude, John Held and others, will take place at San Francisco MOMA from 1:00 to 5:00 pm local time. On the same day, photos were taken first thing in the morning in the star shaped city of Palmanova (Italy) as a wave of good wish from Laura Cristin Sheren. The original portrait of Joel Cohen, made in 2016 as a memory of a jointed performance in Coney Island in 2012, was installed in the central niche of the square, just below a pennon flagging the Italian flag and on a water well that reminds the Ocean. Since the nine hours of time difference (Europe is farther ahead than California in this field!) the action is meant as a preview. Other correspondances will follow in coincidence with the Congress.
City Lit in London celebrates its centenary this year and I am honoured to have my story – related to Midsummer term 1976-77– hosted in the blog at https://www.citylit.ac.uk/blog/city-lit-stories-laura-cristin?fbclid=IwAR0tnnjBSGaYzb8AWcr3YTB0t8WQKEnLlFI6Gt87dmKla7jHO_775tQwwqU
My story was added around the solstice of June, while I was in Berlin for the performance at the Brandenburger Tor, that was a success for the inter-action with people, history and the site. Here are some photos, full report was made in the fb album A MARE in Berlin for the 30 years from the Fall of the Wall. Shortly I will post a specific project in this website.
A MARE in Berlin, participatory performance of Laura Cristin at Brandenburger Tor, 22 June 2019
Laura Cristin at the opening of Biennale di Venezia #58, May 11th 2019, upper left : detail of “Muro di Berlino” oil and collage behind glass, cm 62 x 88, 1990.
Around the Summer Solstice, from 20 to 25 June, I will be in Berlin to continue “E il naufragar m’è dolce in questo infinito amare”. A series of impromptu will be made for the 30 years after the Fall of the Wall. I will flag Waves of memory/a sort of re-created sea along the once border-wall at Brandenburger Tor (Saturday 22nd June from 11:00 till 12:00 am; meeting point outside the main entrance of Hotel Adlon in Pariser Platz, Unter den Linden 77, at 10:45) and around, to involve mail art and London Biennale friends and passers-by.
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