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Sweet Overseas Shipwreck
On the 3rd and /or 5th May, Sheren will be in Milan, for a impromptu in Piazza Duomo and/or in a shared garden of Isola, for a wave of good luck at the marriage of Kika and Antonello.
Saturday, May 11th , in Venice, on the occasion of the Biennale # 58 opening, at 1:00 pm Sheren will be with Peter Kuestermann along the Adria-side in front of Giardini, to re-create an a-mare to which to entrust our hopes and fears, and those of the refugees who have eventfully crossed the Mediterranean. From 16:00, the action will move to the 7th sestiere of Mestre, in via Cavallotti 83/B for “Checkpoint”, a parallel event of the Venice Biennale curated by Giancarlo and Giulia Da Lio.
The performances of Laura Cristin Sheren are also part of London Biennale 2019.
Life and love are multi-faceted diamonds where good and evil and a thousand other shades form a single pearl. The world of the Sirens, with its aquatic and earthly contradictions, bears witness to this. Sheren, who from a long time practiced that imaginary, with the arms and baggage of the art/life, in 2019 is particularly inspired, 200 years after its writing, by “e il naufragar m’è dolce in questo mare”, which concludes, with admirable and fluctuating opening, “L’Infinito” by Giacomo Leopardi.
That verse seems all right to be re-lived with engaging waves embracing memories, dreams and fears, personal and collective.
Full text/proposal. The first performance on the theme will be in MILAN, on the 3rd and/or 5th May (piazza Duomo and/or shared garden of Isola) for the marriage of Kika and Antonello, with the unfolding of an auspicious free wave that will flag and wrap without forcing.
The following Saturday, which is May 11th and coincides with the Biennale #58 opening, Sheren will decline Leopardi’s verse in VENICE: at 13:00, along the Adria-side in front of Giardini. Then the action will move to “Checkpoint”, parallel event of 7° sestiere, care of Giancarlo and Giulia Da Lio, in Mestre, via Cavallotti 83/B, from 16:00. Together with Peter Kuestermann and the (mail) artists or passers by wishing to participate, a bridge will be created , with the hopes and fears of those who eventfully have crossed the Mediterranean. It will give the chance to recite a ‘de profundis’ of the value of the Western civilization (?) buried in the sea-cemetery together with the castaways who did not make it, but also a small attempt to restore a bit of humanity in consciences.
Peter Kuestermann will bring the messages-in-the-bottles entrusted to him by refugees in Germany who have managed to save (at least physically) their lives and now wishing to leave their thoughts to the big sea of love that has not swallowed them.
In the re-created waves, everyone can immerse themselves, reflect and deliver to the sea, even only a yearning for hope. For those who prefer the ancient art of writing, Sheren will provide ‘blank messages’ to be completed and put into bottles collected around the world, which will be returned in the five continents.
P.S. The performance of Laura Cristin Sheren are also part of London Biennale 2019.
A MARE in London (and around)
Clockwise: a long/involving wave for Field Study Gathering at Tate Britain 5JAN2019; installation “memORiA di Sheren” in Pinacoteca of Gaeta; another picture from A MARE in London; card for London Biennale 2019; images from “Myself box” for microbo.net of Milan; further picture of A MARE involving Nat Fonnesu
On January 5th, 2019, in LONDON, I participated in the 25th Field Study Gathering by David Della Fiora, at Tate Britain nearby gARTen. Then, in the following days I took the chance of developing several art/life WAVes, one of which for London Biennale.
At the same time, my installation “memORiA di Sheren” took part in GAETA ‘s XXX edition of Porticato Gaetano.
On Sunday, January 27th, in MILAN, a “Myself box” of mine was exhibited at Wunderkammern effimere in via Giovanola 19/c. The e-book can be seen at https://www.microbo.net/2018/10/laura-cristin/
Let’s meet at Sheren’s
On Sunday 25th November 2018, from 11:00 am till 6:00 pm, Laura Cristin, in collaboration with Giancarlo Da Lio, will open her house/studio (gARTen included) in Bagnaria Arsa, not far from the star shaped city of Palmanova.
It’s all about joy and urgency of a meeting, mostly LIVE, where friends-artists-and-not can share their experiences and humanity. As for art, there will be an hour or more early in the afternoon, devoted to that. Laura Cristin as the host will start with “LaCura” from the homonymous track composed by Dario Della Rossa for “Healing in London” (Kingsley Hall 2017). It’s the chance to be in a participatory performance, fully immersed in the enchantment of Sheren and to practice the different WAVes of Love. Maurizio Follin will continue tracing one of his Way (Via). Whoever wishing so, will be able to contribute.
The spirit and encouragment of the passed-away listed below, with whom we had the privilege to share part of our journay in life, will be the heART of the party.
“incontriAMOci” (Let’s meet at Sheren’s) is dedicated to: Franco Basaglia, Letizia Comba, Angela Fumis and Tiziana Baracchi.
List of participants (in progress): Laura Cristin, Enzo Paviotti, Giancarlo Da Lio, Terry Cazzaro, Levis Cortese, Maurizio Follin, Gabriella Gallo, Maria Teresa Fernandez, Patrizia, Mariangela, Anna, Alessandro, Francesca and more.
Around Magic June 2018
Clockwise: 13: sentimental B.day installation with mailart received from Joel Cohen; 14: Natalia receiving from my mum the diary of my grandma Angela at ADN of Pieve Santo Stefano (Arezzo) – incidentally, Fumis Angela was born on 10 June and died on 17 June 1968 – ; 15: standing at the entrance of the Archive of Diaries; 14: donation of my (art)diaries LC (also containing CG) and ST to Archivio Diaristico Nazionale – incidentally ST that stands for Standards (Tarot paintings) can also stand for Saverio Tutino who founded the Archive and ‘created’ the myth of Che Guevara (born on 14 June) in Italy – ; 27: with Sticker Dude Banana Cake (new receipe) in connection with the reunion of Grateful Dead in Santa Clara (California); 21 (12:07 Summer Solstice): attending the meeting “tra pari” at CSM of Parco Basaglia in Gorizia.
In 2018 many anniversaries occur, such as the 40th from Basaglia’s law #180 (May 1978) and of my marriage (February 1978), the 50th from my trip to Bandiera Gialla (January 1968) in Rome with the psychologist Letizia Comba. This June, special coincidances took place around my B.day. The above card can reveal/explain more. Though, the core of it is only detectable by heART!
Around the B.day month
The birthday is always a special day. In one way or another, it makes the chance to retrace the-not-only-my-time of life. Celebrating the memorable date of mid-June with relatives and/or friends is a must. Other remarkable events of art/life this months:
– in Siracusa (Sicily), from the 5th to the end of June, at the Art Gymnasium Gagini, I take part in the mailart exhibition “Io e la Bellezza” (curator Lidia Pizzo for Aretè, Centrum Latinitatis Europae) with “Masks and murals for Trinacria” and the artistbook “Revolt for Beauty” remake of “Re-vault for Goliarda Sapienza 2016 “.
– From June 17 to August 10, I participate in the “First International Biennial of Postal Art in Venice” curated by Ruggero Maggi at Palazzo Zenobio, with the collage “CorresponDANCE 2017 for the Dalai Lama and Tibet”.
– Starting with my B.day “LOOKing forwards” action begins. I will distribute the stickers with the reproduction of the portrait made to Joel Cohen, that the artist sent me from New York in sign of gratitude and in a number corresponding to the years of my life.
57 Biennale Venezia
The 10th May 2017 was a bEAUtiful day at Biennale Venezia. First step, was the not-so-ephemeral installation of the sticker of Joel Cohen with his portrait, second one, attending/being involved in David Medalla and Adam Nankervis performance for the 15th anniversary of their Mondrian Fan Club, last but not least, remembering the impromptu of January 2008 with Dorothea Fayne and Dario Della Rossa, through a snap of “Totem 2004-2008-2017” next to the “Paradise” by Bosch in Palazzo Ducale. Meeting – one way or another – old and new friends is wonderful!
Facebook open album at https://www.facebook.com/media/set/?set=a.1506744286011266.1073741834.100000271265514&type=1&l=fd40352fab
Two videos, currently taking part in Magmart video festival are now online at these links:
“Healing in Rome” https://youtu.be/24ICAlVTiew
“Re-act and Re-vault” https://youtu.be/UxlRExtYgA0
More to be added shortly in the “Works” section.
April
It’s Easter time in April this year! From a domestic side, main news are: the municipality calendar hanging in my kitchen displays a photo of my “Anteprima del temporale” that was selected in a previous competition; the painting “The Sticker Dude remembering the joint performance “Just life” by/with Laura Cristin in Coney Island 2012/06/14” was completed (link at http://www.artwanted.com/imageview.cfm?id=1451496 ) and Ragged Edge Press NYC will print it as a sticker. I found the time with my daughter to decorate new terracotta eggs (what a relaxing fun!). The bookmark “Sheren” takes part in “Parolamagica” exhibition (curator Rosanna Veronesi) in Milan, at the historic bookstore Malavasi in via Santa Tecla/largo Schuster (just behind Palazzo Reale) from 19 to 23 April, for the Milan Bookfair.
‘Xmas Carol 2016 by L’aura ©ristin Sheren
Main image on the left: Christmas Tree 2016
TOPs: pop-up card “Pirouettes” – Santa Claus pendant for “La Festa dei Cugini” 1992 – ‘Xmas tree top – Supermoon in Gabria (Gorizia) 13NOV2016 – starfish in “Re-vault” bust 2014-’16 – photo of my grandma from her diary “Memorie di Fumis Angela 1914-1916” – detail of “oisEAU” 1998 – selfie at City Lit in London 2016.
heARTs: TRIPtych for the Mothers of Capua 2016 – crib in Naples (San Giovanni Armeno) similar nativity scene (figurines) was sent to Dario1 – “Wunderhouse” oil on glass 1987 – “Pirouettes NEW” ball with Brunori Sas figurines – the garden of peace at Kingsley Hall in London.
BASE Foliage: detail of “Re-vault” in Gaeta (Latina) – Pulcinella tambourine in Naples – Rainbow Dash at aardverx in London – “OB-LA-DI’, OB-LA-DA” disc revisited 1968-2016 – at London Biennale opening in Rome with Raffaella Losapio and David Medalla – Kingsley Hall window.
TRUNKs: performance “hell-HEAL-hill” in Rome – Siren/dolphin fountain at Napoli Centrale – Reynolds and I in Rome after having painted on her heart – Olivetti writing ‘Xmas Carols 2016 – Afrodite “Pudica” at Archeological Museum in Naples – door-window at Kingsley Hall – baby hazel tree in “the field” of Bagnaria Arsa (Udine) similar photo was selected for the calender of the municipality (April).
This year, approaching Christmas, I gave myself many stories that poured out from the memories of people, things and situations met in the months gone by. Soon the recollections linked with the past and developed in dreams for the future. A not-so-tangible ‘Xmas tree took shape in my heART. Next step was to try to make all this visible for the most, before letting it go. The story began with buying an Advent Calendar that resembled the “Wunderhouse” painted in 1987. Saint Nicholas helped me to get four tickets at the front row for a concert in Udine on 2017/02/24. At Saint Lucy Day, I found a pop-up card with the musical instruments in a stationery shop. Revisiting it with figurines so to create new balls, was my favourite past time. Then I sent it out so somebody else could play with it and invent brand new stories. Choosing the decorations for the annual Christmas tree was an apotheosis of memories, not to mention the supermoon of December that crowned it all! This © hristmas Carol is not for sale, but perhaps everybody can create his/her own moment of happyness, being inspired by the selection of trunks, basic foliage, hearts or tops of my tree.
October TRIPs
October is always a special time for me: memories are revived and take new shapes and perspectives. This year, two main trips occurred: first “Re-vault sTRIP” – already printed in limited editions as a paper-triptych – was sent worldwide in the mailart “calisthenics for the soul”. Second one was the making of “Twin Mother from Udine to Capua”. It’s a portable altar on handmade paper, based on the memory of a 1994 painting dedicated to my mother, enriched with some calligraphic writing at the sides. It will be sent shortly to the Museo Provinciale Campano of Capua, for an exhibition at the Matres Matutae room. All this comes to my mind after having baked a delicious apple cake, that I sprinkled on top with the content of five sugar packets brought from Naples as a keepsake!
